Yasujirō Ozu, a Master of Cinema, Is Worth Celebrating Once Again | Vogue
Tokyo Story - Wikipedia
Why Yasujirō Ozu's Films Are Still Relevant Today | Cinema Escapist
Ozu Yasujirô: the master of time | Sight & Sound | BFI
Banshun (Late Spring). 1949. Directed by Yasujiro Ozu | MoMA
Re-examining Yasujiro Ozu on film | The Japan Times
Yasujiro Ozu and The Art of Simplicity — linh vu
The Film Sufi: “Equinox Flower” - Yasujiro Ozu (1958)
Ozu: The masterpieces you've missed | Roger Ebert | Roger Ebert
The Cinematography Of Yasujiro Ozu's 'Floating Weeds'
On Yasujiro Ozu
Ozu Yasujirô: the master of time | Sight & Sound | BFI
The Signature Style of Yasujiro Ozu | Current | The Criterion Collection
Vol.82 – Learning Lighting Design from Cinematography Part 2 “Tokyo Story” | Lighting Detectives
Japanese Modernism Across Media | Ozu's Cinematic Style · Female Characters in Ozu Yasujirō's Films
The Ozu Shot: Tokyo-ga and Late Spring | Current | The Criterion Collection
Yasujiro Ozu: like Austen, he tells the same satisfying story again and again | Movies | The Guardian
Painting the Same Rose: An Exploration into the Cinematic Style of Yasujiro Ozu
The Beginner's Guide: Yasujiro Ozu, Director - Film Inquiry
Good Morning (1959) - Yasujiro Ozu (Ozu-san.com)
Yasujiro Ozu - Coeval Magazine
Where to Start with Yasujirō Ozu | The Film Magazine
Yasujirō Ozu, a Master of Cinema, Is Worth Celebrating Once Again | Vogue
Ozu Yasujirō | Japanese director | Britannica
How Yasujiro Ozu Redefined Modern Cinema<br/> — sabukaru
Diego Pernía on Twitter: "Tokyo Story. Directed by Yasujiro Ozu. 1953. An unforgettable masterpiece. It simple but meaningful plot it's told with such delicate stillness and discretion, yet the emotion gets under
Art House: Yasujiro Ozu's Late Spring is the purest distillation of his style | South China Morning Post
